A Doll’s House

by Henrik Ibsen, Adapted by Thornton Wilder

The character of Nora has fascinated me for a long time but I felt that the play, in the form I knew, was too dated. I would not have been interested in accepting the part in the Archer version, because the lines were too stiffly artificial and lacked conviction. The Thornton Wilder adaptation, however, has restored life and credibility to a drama, which is still one of the finest efforts in our theatrical literature.
— Ruth Gordon, Cincinnati Times-Star, October 27, 1937
It’s a thrill to encounter this collaboration between these two pioneers of modern theater. Wilder has created a brilliant version of Ibsen’s great play, which is taut, conversational and pulsing with life nearly eighty years after it was written. Of course, Wilder worked on A Doll’s House while writing Our Town. There are incredible echoes between Nora and Emily—two young women who poignantly confront their own mortality and must say good-bye to life as they know it.
— Arin Arbus, director, A Doll’s House, Theatre for a New Audience, May 1, 2016

Not staged until 2016, since its record-breaking Broadway premiere starring Ruth Gordon in 1937, this is the first publication of the adaptation of Ibsen’s classic drama as revitalized through the shrewd lens of American drama master Thornton Wilder. With clarifying dialogue, Wilder uproots this classic from Norway and funnels it through an American lens. The marriage of Ibsen’s naturalistic style melds with Wilder’s knack for emotional nuance to create a demonstrative edition of the revered A Doll’s House.

Henrik Ibsen is often referred to as the father of modern realism. He is most well known for his plays Hedda GablerGhostsThe Master Builder,The Wild DuckPeer Gynt, and An Enemy of the People



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